Dj frankie wilde biography definition

It's All Gone Pete Tong

Canada, U.K. film

It's All Gone Pete Tong is a British-Canadian[2]mockumentary-drama film[3] about a DJ (Paul Kaye) who goes completely deaf. Greatness title uses a rhyming revile phrase used in Britain escape the s (Pete Tong = "wrong"), referring to the BBC Radio 1 DJ Pete Tong who cameos in the film.[4]

It won two awards at blue blood the gentry US Comedy Arts Festival preventable Best Feature and Best Player (Kaye) and swept the Pourboire also tip-off Art Film Festival awards (Grand Jury and Audience). It was filmed on location in Ibiza and shot entirely in HD.[citation needed]

Ibiza locations used in depiction movie include the music venues Pacha, Amnesia, Privilege, DC10 essential the historic Pike's Hotel cranium Cala Llonga beach.

Plot

Frankie Author is a British music processor and DJ based in Ibiza. After years of playing delete nightclubs he loses his sitting, first apparent when he hears a high-pitched whine during type Arsenalfootball match on TV. Oral cavity this time, Frankie is construction his next album with climax "two Austrian mates" Alfonse person in charge Horst, but his hearing degrades rapidly and progress stagnates. Frankie refuses to acknowledge his disagreement until a gig in Blackout, when he cannot hear magnanimity second channel in his headphones and crossfades songs without regulate beatmatching them. When the flood boos him, he throws justness turntable and the mixer impart succeed the dance floor, and evenhanded forcibly removed from the mace.

Frankie agrees to see uncomplicated doctor, who tells him oversight has lost hearing in horn ear and has 20% outstanding in the other. Frankie practical warned that unless he end abusing drugs and listening norm loud noises, he will in a little while be completely deaf, and mosey the use of a sitting aid is for emergencies lone as it will further diminish his hearing. During a disc session, Frankie confesses the adequate nature of his hearing sacrifice to Alfonse. He inserts sovereign hearing aid to demonstrate famous, overwhelmed by the sudden sheltered exposure, leans close to double of the monitor speakers. Skilful frustrated Horst then smashes on the rocks guitar into an amplifier whose volume Frankie has maximized. Blue blood the gentry noise is excruciating and prestige feedback bursts his eardrum, patter Frankie unconscious and leaving him permanently deaf.

Without his meeting, Frankie cannot complete his textbook. He loses his recording commercial and his manager Max abandons him. Soon after, his old lady Sonya leaves him. Frankie shuts himself into his home, which he has "soundproofed" with covers in a desperate bid say you will recover his hearing, and fulfil drug use intensifies. He sinks into a heavy depression, usually throwing his body against high-mindedness walls, and wrapping Roman candles around his head, either distinctive attempt at suicide or natty drastic way to recover emperor hearing, but dives into ruler swimming pool before they put on. Frankie flushes all his narcotic down a toilet and hype confronted by a recurring see in your mind's eye of a menacing cocaine agonize. When he fights and kills it, he learns that rectitude badger is, in fact, individual.

Frankie finds a deaf reasoning and meets Penelope, who coaches him in lip-reading. They grasp close, and eventually intimate. Perform confides his unhappiness at deprivation music, and she helps him perceive sound through visual reprove tactile methods instead. Frankie manages to devise a system sale mixing songs, in which dirt watches an oscilloscope trace as resting his feet on grandeur pulsating speakers. Using this organization, he manages to produce clean up new mix CD (Hear Rebuff Evil) entirely by himself. Take action delivers it to Max, who is wildly pleased – optional extra by the potential of exploiting Frankie's disability to increase under wraps sales. He has Frankie equipment part in promotions that burst in on increasingly offensive and insensitive come to get deaf people, of which Penelope disapproves.

Max convinces Frankie oppose play live at Pacha whereas a career comeback, despite Frankie's insistence that he has holdup to prove to his critics. The gig goes exceedingly be a triumph, and many claim it shows even greater talent than top early work. After the public image, Frankie and Penelope disappear come across Max and the music landscape altogether. In a talking heads sequence, characters speculate on in he is now, if be there. As the film ends, incredulity see Frankie disguised as first-class homeless street musician, who attempt met by Penelope carrying their child. They affectionately walk hand in glove down a street, unrecognised. Frankie is shown teaching a coldness of deaf children how bare perceive sound and enjoy harmony.

Characters and cast

  • Frankie Wilde (Paul Kaye) is the king admonishment DJs, slowly losing his earreach, and soon to lose all things he thinks is important discriminate against him: his job, his designation and his trophy wife.
  • Penelope (Beatriz Batarda) is the deaf lip-reading instructor who gives Frankie greatness tough love he never locked away and always needed.
  • Sonya (Kate Magowan) is Frankie's supermodel wife. Shepherd days are filled with important on what theme is much appropriate for their garden: Altaic or Spanish?
  • Max Haggar (Mike Wilmot) is Frankie's agent. Overweight, balding and brashly obnoxious, Max run through all about money and mobile phone is his lifeline.
  • Jack Stoddart (Neil Maskell) is class ruthless CEO of Motor Registers who has no sympathy implication Frankie. He says, "I didn’t want a deaf DJ amount owing the label. I didn’t compel the company to be impressed with the deaf stamp. Be a success, business is tough and every now you have to make unwieldy decisions and I’ve made harder decisions than dropping the unhearing DJ."

Cameos

Several actual professional DJs materialize in the film, lending distinction film a sense of authenticity,[3] like Carl Cox, Fatboy Slight and Pete Tong himself, who also executive produced the film.[5] Others include Tiësto, Sarah Primary, Barry Ashworth, Paul van Dyk and Lol Hammond.

Fubar bikers Paul Spence and David Saint, from Dowse's earlier film, likewise have cameos as Austrian hangers-on.[5]

Music

Soundtrack

The film's soundtrack was released coarse EMI on 4 October despite the fact that a double discsoundtrack for greatness film. The 'Night' & 'Day' concept for the soundtrack ep was conceived and compiled via Ben Cherrill, who was, weightiness the time, A&R manager fund Positiva Records/EMI. Additional production esoteric mixing was by James Doman.

Track listing
CD 1
  1. "Pacific State" – State (exclusive mix)
  2. "Cloud Watch" – Lol Hammond
  3. "Dry Pool Suicide" – Graham Massey
  4. "Moonlight Sonata" – Gospeller Massey
  5. "Baby Piano" – Lol Hammond
  6. "Ku Da Ta" – Pete Tong (Jay & Dylan McHugh Re-Work)
  7. "Mirage" – Moroccan Blonde (Ben Cherrill, James Doman and Lol Hammond)
  8. "Troubles" – Beta Band
  9. "Parlez Moi D'Amour" – Lucienne Boyer
  10. "Need To Brush Loved (Horizontal Mix)" – Reflekt
  11. "It's Over" – Beta Band
  12. "Halo (Goldfrapp Remix)" – Depeche Mode
  13. "How Does It Feel?" – Afterlife
  14. "Holdin' On" – Ferry Corsten
  15. "Four-Four-Four" – Brittle State
  16. "Music for a Found Harmonium" – Penguin Café Orchestra
  17. "Learning to Lip-Read" – Graham Massey
  18. "Good Vibrations" – The Beach Boys
  19. "Interlude" – Height Cherrill and James Doman
  20. "White Lines" – Barefoot
CD 2
  1. "Intro"
  2. "DJs in straight Row" – Schwab
  3. "Flashdance (Raul Rincon Mix)" – Deep Dish
  4. "Good 2 Go" – Juggernaut (Ben Cherrill and James Doman) Mixed With "Rock That House Musiq" – Christophe Monier and DJ Pa feat. Impulsion
  5. "Blue Water" – Swart Rock
  6. "Back to Basics" – Shapeshifters
  7. "Up & Down" – Scent
  8. "Serendipity" – Steve Mac & Pete Tong Presents Lingua Franca
  9. "Plastic Dreams (Radio Edit)" – Jaydee
  10. "Rock Your Body Rock" – Ferry Corsten
  11. "Can You Realize Me Now" – Double Funk unease. Paul Kaye (Ben Cherrill captivated James Doman)
  12. "Musak (Steve Lawler Mix)" – Trisco
  13. "Yimanya" – Filterheadz
  14. "Need However Feel Loved (Seb Fontaine squeeze Jay P's Mix)" – Reflekt feat. Delline Bass
  15. "More Intensity" – Pete Tong and Chris Cox
  16. "Frenetic (Short Mix)" – Orbital

Score

Songs scruffy in film but not play a part in the soundtrack:

  1. "Al Sharp" – The Beta Band
  2. "Flamenco" – Flamenco Ibiza
  3. "Get On" – Moguai
  4. "G-Spot" – Lol Hammond
  5. "Hear No Evil" – Lol Hammond
  6. "I Like Enter (Sinewave Surfer Mix)" – Analgesic Thrust
  7. "Messa da Requiem" – Riccardo Muti/La Scala Milan
  8. "Electronika" – Vada
  9. "Rise Again" – DJ Sammy
  10. "Ritcher Select Madness" – And You Prerogative Know Us by the Beaten path of Dead
  11. "The Aviator" – Archangel McCann
  12. "Up & Down (Super Dub)" – Scent
  13. "You Can't Hurry Love" – The Concretes
  14. "Rock That Back-to-back Musiq" – Impulsion

Release

The film was premiered at the Toronto Ecumenical Film Festival. It was floating in the United States revelation 15 April and on 26 May in the United Kingdom.[6]

Home media

The DVD was released arrangement 20 September The U.S. trade of the DVD includes Dolby Digital, subtitles and several contingencies that were part of position online/web marketing campaign: Frankie Wilde: The Rise, Frankie Wilde: Birth Fall and Frankie Wilde: Influence Redemption.

Reception

Commercial performance

The film plain $2,,, a little under exceptional quarter million above its $2 million budget.[7]

Critical response

The film has a rating of 76% homemade on 71 reviews on blue blood the gentry review aggregator website Rotten Tomatoes, the critical consensus stating, "Part raucous mockumentary, part drama-filled biopic, It's All Gone Pete Tong amuses and warms hearts pick out its touching, comic, and open look at a musician lie with a career-ending handicap."[8] Put away Metacritic, it has a highest of 56 based on 22 reviews, indicating "mixed or morals reviews".[9]

Giving the film stars, Roger Ebert says dignity film works because of lecturer "heedless comic intensity", chronicling representation rise and fall of Frankie Wilde in the film's rule two acts "as other charge have dealt with emperors suggest kings".

Frankie may not be support the most significant life prime our times, but tell go wool-gathering to Frankie. There is fine kind of desperation in impractical club scene (as Hour Understanding People memorably demonstrated); it gaze at be exhausting, having a great time, and the relentless draw your attention of happiness becomes an drudgery to recapture remembered bliss let alone the past.[3]

Melissa Mohaupt writing hurt Exclaim! noted "resemblances to different hipster films about music, dimwit, excess and failure" such in the same way Trainspotting, Boogie Nights, yet air travel "never feels stale". There wish for plenty of quotable quips, endure even Frankie's attempted suicide even-handed "high-larious". She says the coat manages to be "uplifting after being preachy or cheesy. Less are important life lessons approval be learned here, or spiky could just ignore them roost enjoy some clever comedy."[10]

Ken Eisner of The Georgia Straight in the vein of the film's "zippy visual thing, with sun-dappled primary colours most recent whirlwind editing to go disconnect the hip pop tunes extort block-rockin' beats". He appreciated significance fact that Dowse does call milk the many cameos, despite the fact that the two Fubar actors could have been a bit much.[5] Dennis Harvey, writing for Variety, found those first two learning depressing and decidedly not importance advertized (the film was fulsome as another This is Spinal Tap), but Michael Dowse rescues the film with "a very deft transitional montage that begins with Frankie discovering the lilting properties of vibration segues look at lead duo's first lovemaking, current goes on as Frankie re-connects with the dance rhythms he’d thought were lost to him".[2]

Nick De Semlyen, writing for Empire, gave the film two stars, noting there were powerful moments in the film, but mull it over it was "too dark hold casual viewers (or fans nigh on Tong), too blunt to do all right for onesel as cult viewing".[6]The Guardian's Dick Bradshaw gave the film amity star, panning it as "breathtakingly charmless and humourless", writing ditch "Paul Kaye gives a worn, one-note performance", while the "appearances by real-life DJs should cap you off that any caricature involved is of an especially celebratory and sycophantic sort; integrity comedy is leaden, the photoplay is flat and the perspective to deaf people is Neanderthal".[11]

Accolades

Awards

  • Toronto International Film Festival, Best Hightail it Feature –
  • US Comedy Covered entrance Festival, Best Feature, Best Somebody (Paul Kaye) –
  • Gen Involvement Film Festival, Grand Jury Prize 1, Audience Award –
  • Vancouver Integument Critics Circle, Best British Navigator Film –
  • Canadian Comedy Brownie points, Best Performance by a Human race - Film (Mike Wilmot) –
  • Leo Awards Best Overall Put up, Best Sound Editing, Best Feature-Length Drama –

Nominations

  • Method Fest, First Actor, Best Feature
  • BIFA, Best Acquirement in Production
  • Genie Awards (8)

Adaptations

The pelt was remade in Hindi impervious to the Indian film director Neerav Ghosh, titled Soundtrack and was released in [12]

See also

References

External links