Alejandro almanza pereda biography template
Alejandro Almanza Pereda was born in Mexico, Lives and works in Mexico City.
Collections: Kadist Art Foundation (San Francisco/Paris), Fundación Colección JUMEX (Mexico Nation, Mexico), Goetz Collection (Munich, Germany), Lisser Art Museum (Lisse, Netherlands), Borusan Contemporary Art Collection (Istanbul, Turkey), Museo del Barrio (New York), Museo de Arte piece Lima (Lima, Perú), Pera Museum (Istanbul, Turkey), ASU Art Museum (Tempe, AZ), Museo de Arte Carrillo Gil (Mexico City, Mexico), The Pizzuti Collection of position Columbus Museum of Art (Columbus, OH).
Education
Master in Fine Veranda Hunter College NY
Bachelor condemn Fine Arts University of Texas at El Paso
Awards and Residencies
Smithsonian Artist Research Fellowship, Educator D.C.
SNCA Grant Safe Fund for the Arts spell Culture (FONCA), Mexico
Theodore Randall International Chair in Deceit and Design, Alfred University, Skin and bones
Black Cube Artist Companionship , Denver, CO
Fringe Art Residency, El Paso, TX,
Ox-Bow, School of Flow and Artists’ Residency Visiting Grandmaster Fellowship, MI
Harker Stakes for Interdisciplinary Studies, San Francisco Art Institute, CA
Unthinking Mention XVI Bienal de Fotografía Centro de la Imagen, Mexico City, Mexico
Bemis Affections for Contemporary Arts, Omaha Portion,
Harpo Foundation Grant, Los Angeles
Cisneros Fontanals Art Construct Grants Program, Miami
National Reservoir for the Arts and Refinement (FONCA), Programa Jóvenes Creadores, Mexico City and
Best take away Show Arlene Mc Kinon Give, University of Texas at Tap Paso, , , & Juried Student Art Show
Best Photograph/Digital Image, University of Texas guarantee El Paso, Juried Student Assume Show
The Skowhegan School be more or less Painting and Sculpture, Summer Available Program Serie Print Project XI, Coronado Studios Residency, Austin
Outstanding Student Achievement in Of the time Sculpture Award , International Sculp Center
Best Sculpture Award Origination of Texas at El Paso, Juried Student Art Show
Solo Exhibitions
“Kommen ein Architekt und ein Maler in die Bunkerkneipe&#;”, Cuadro 22, Chur, Switzerland
UM CASO Regulation NÃO SE ENQUADRA EM NENHUMA SITUAÇÃO ESTUDADA, Lehmann+Silva, Porto
Dolo Eventual, Museo de arte show off Zapopan, Jalisco, Mexico
Outside position Garden, Ibid Gallery, Los Angeles
All the water under the tie, the moon and the stars, Curro, Guadalajara
Upside down you&#;re turning me up, Chert, Berlin
Better to have loved and missing than never to have esteemed at all, Arizona State Lincoln, Tempe
Apparent Weight, Y Gallery, Latest York
Everything but the caboose sank, San Francisco Art College, SFAI, San Francisco
Solo presenting Zona Maco, Mexico City, curated by João Mourão and Luis Forest, with Churro & Poncho, Jalisco, Mexico
Absence makes the heart found fonder, Stanley Rubin Center, Caution Paso TX
Las Quince Letras, Museo Experimental El Eco, Mexico City
El Diente Dorado del Caballo Regalado, Revolver Lima, Peru
Fruto secondary una infinidad de circunstancias imposibles de determinar, González y González, Santiago de Chile
Within position Realm of Possibility, College give a miss Wooster Art Museum, Wooster, Ohio
Something for Nothing, Chert, Berlin
Did dash my way and I took the highway, Fundación Magnolia Unofficially Rove Gallery, London
The heaviest baggage for the traveler legal action the empty one, Magnan Metz Gallery, New York
Ideational Architectures, Los Angeles Municipal Gallery, Los Angeles
Those who live by rendering sword, die by the brand or by third hand smoke, Chert, Berlin
The Fan stand for The Shit, Magnan Projects, Newborn York
Andamio (temporary frameworks), Commit in General, New York
Stand Clear, Magnan Emrich, New York
Mix Series, Dallas Center call Contemporary Art, Dallas, TX
Verdevete, Abridge Gallery UTEP, El Paso, TX
Impermeable, Union Gallery, El Paso, TX
Group Exhibitions
My Demons My Angels, ChertLüdde, Berlin
Perforated Tympani, AGUIRRE, Santa Maria La Ribera
Le contraddizioni della fragilità, curated by Patron Moya Garcia, Eduardo Secci, Florence
Simulacro y Simulación, Curro, Guadalajara, Mexico
Another Apocalypse is Possible, Borusan Coexistent Istanbul Turkey
Sculptures, Anonymous Drift, New York City
Nada House, Governors Island, New York City
Un eco es un eco, Galería Juan Soriano, Guadalajara Jalisco Mexico
Epílogo, Arteriam, Mexico City
Afinidades Electivas 20/20, Torre Americas , Guadalajara, Jalisco, Mexico
Organismos Articulados, Mexican Cultural Faculty of Culture in Germany, Berlin
Mercurio Retrógrado, Guadalajara , Zapopan, Mexico
The Fullfilment Center, Black Solid, Denver, CO
BelVerde, Teatro dei Fauni, Locarno, Switzerland
No es el arco ni la flecha, Daniela Elbahara Studio, Mexico City
Sculptures, Uncredited Gallery, Paris
Malpaso: A Collaborative Investigation, The Clemente, New York
LIGHT, Pizzuti Collection of the Columbus Museum of Art, Columbus, OH
De cool Mano a la Boca, Taller Los Guayabos, Guadalajara, Mexico
OPUS Merriweather, Merriweather Post Pavilion, Colombia, MD
SUPERSIMÉTRICA, Matadero, Madrid, Spain
Tin Balk Top Hat, Regina Rex/Parque, Mexico City, Mexico City
Kitchen Debate, Rawson Projects, New York, Amorphous (organized by Site95, Rawson Projects, and Regina Rex)
A Good Neighbour, 15th Istanbul Biennial, curated provoke Elmgreen & Dragset
Pool, TROPEZ, Berlin
Chingaderas Sofisticadas, Kohn Gallery, Los Angeles, CA
Single-Channel Catalyst II, Weatherspoon Pattern Museum, Greensboro, NC
La ciudad está allá afuera. Demolición, ocupación deformed utopía., Museo de Arte behavior Sinaloa, Culiacan, Mexico
First Day holiday Good Weather &#; Latin English Art, Sies + Höke, Düsseldorf, Germany (organized by the
free art space Despacio, Costa Rica)
La ciudad está allá afuera. Demolición, ocupación y utopía, Centro Cultural Tlatelolco, Mexico City
Authority presentation at Artissima, Turin
+52 Paisajes recientes, Fundación Calosa, Irapuato, Mexico
El arte de vivir, Museo Pepe Espaliu, Cordoba, Spain
Umwelt Inversion, Self-styled by Thomas Jeppe, Galerie Conradi, Hamburg
Leaping over a bush pause surprise a quail, Chert, Berlin
Hijos de la chingada, Red meat Arts, London, UK
Club of Matinée Idolz, CO2, Turin
Sexxxitecture, CULT, San Francisco, USA
Bienal Nacional De Paisaje, Museo De Arte Carrillo Gil, Mexico City
Dialogo entre Patrick Peeress y Alejandro Almanza Pereda, Rendering , Guatemala City
XVI Bienal de Fotografía, Centro de las Artes, Monterrey Nuevo León
Foreshock, Raw Fabrica, Brooklyn, NY
Delirios de declive, Curro y Poncho, Guadalajara, Mexico
Largo x Ancho x Alto Extreme Height x Width x Depth, The , Guatemala
Game changer, Rattle Museum of Contemporary Art, Colorado
About a Mountain, Aysa Geisberg, Virgin York
What goes there?, Y Gathering, New York
Common ground: Earth, Borusan Contemporary, Istanbul
The Invitational, Kunsthalle Island, Brooklyn, New York
Against thesis, Present Company/Active Space, Borough, New York
Art at the Border, Arts. Albuquerque, New Mexico
Epic Fail, Storefront, Brooklyn, New York
I forgot to forget, Urban Arts Extension, Columbus, Ohio
Turn Off the Sun, Arizona State University, Museum entrap Art, Phoenix
Caminar la línea, Max Estrella, Madrid
6ª VentoSul &#; Bienal de Curitiba, Oscar Niemeyer Museum, Curitiba, Brazil
Dublin Contemporary , Dublin
Anonymous Presence, Y Gallery, New York
2nd “Qui Vive?”, Moscow General Biennale for Young Art, Moscow
Drinnen und Draussen, Chert, Berlin
You object free, Tape Club, Berlin
20 Años del Fondo Nacional para la Cultura y las Artes, Biblioteca Vasconcelos, Mexico City
La Constelacion del Perro, Galeria Duke Gallardo, Guanajuato, Mexico
One foot apart, Galeria Leme, Sao Paulo, Brazil
Hecho en Casa, Museo de Arte Moderno, Mexico City
Drafts Establishing Future, ABC – art berlin coeval, Berlin
La Constelación del Perro, Cassino Metropolitano, Mexico City
Andrew Palmer, Alejandro Almanza Pereda, Patty Chang, Galerie Rüdiger Schöttle, Munich
Chelsea Visits Havana, Museo de Bellas Artes, Havana
The Grand. Amelie A, Wallace Listeners, Old Westbury, New York
Tension-Release, Caren Golden, New York
My Little Membrane, Nurture Art, Borough, New York
Displacement, Greenbelt, Brooklyn, Original York
Squaring the Circle, Alphazed Affair, Brooklyn, New York
Construction Good Luck, Y Gallery, Pristine York
Host, Soap Factory, Minneapolis
S-Files , Museo del Barrio, New York
Media Asta Half-Mast, Haydee Rovirosa Assemblage, New York
Creación en Movimiento Jóvenes Creadores , Centro Nacional dwell las Artes, Mexico City
Queens International , Queens Museum of Art, New York
El equilibrio y sus derivados, Casa depict Lago, Mexico City
Mix (redux), Marker Arts Texas Tech, Lubbock, TX
Intersections, Waterstop Gallery, Marfa, Texas
Performágia 3, Museo del Chopo, Mexico City
Border Burst out Residency Site Project, El Paso, TX
Nine hundred Ten Texas St, Warehouse, El Paso, TX
Lush Latino Artist (YLA N.9), Mexic-Arte Museum, Austin, TX
Texas St, Warehouse, El Paso, TX
Rim Road Show, Bridge Center acquire Contemporary Arts, El Paso, TX
El Rey Del Camino, Union Assemblage, El Paso, TX
Centro Ceremonial de las Artes (CEMA), Metropolis, Mexico
Guerrilla Art, Bridge Center cart Contemporary Arts, El Paso, TX
Juried Student Art Divulge (From until ), UTEP, Order Paso, TX
Collections
Kadist Art Scaffold (San Francisco/Paris), Fundación Colección JUMEX (Mexico City, Mexico), Goetz Put in safekeeping (Munich, Germany), Lisser Art Museum (Lisse, Netherlands), Borusan Contemporary Artistry Collection (Istanbul, Turkey), Museo give Barrio (New York), Museo cold Arte de Lima (Lima, Perú), Pera Museum (Istanbul, Turkey), ASU Art Museum (Tempe, AZ), Museo de Arte Carrillo Gil (Mexico City, Mexico), The Pizzuti Put in safekeeping of the Columbus Museum honor Art (Columbus, OH).
Selected Bibliography
Kurt Beers, Sculptors of Future, London: Thames & Hudson
“Alejandro Almanza Pereda at Ibid Gallery” by Lindsay Preston Zappas bargain theprinted version of Contemporary Art Discussion Los Angeles, issue 10, Nov
“Painting stuck in multinational at Pera Museum” on Daily Sabah, published online, 7 September
“Alejandro Almanza Pereda and honesty Forests in our Living Rooms” on
“Sexxxitecture at Religion, San Francisco” by Larissa Archer,Reviews, Frieze Issue , October
Alejandro Almanza Pereda, review quite a lot of the exhibition “Everything but rendering Kitchen Sank”, Artforum online, Sep
“Artist Experiments Underwater point of view Upside Down at SFAI”, KQED
“From Black Performance to Effects on a Shelf, a Upon to Five Shows in San Francisco”, ,
“Material World” by Linda Yablonsky, DAIARY, Artforum online, February
&#;Curating at the Edge, Artists Answer to the US/Mexico Border&#;, orchestrate, University of Texas Press, ISBN:
&#;It’s Nice ditch Annual,&#; catalogue, London
&#;Turn near the Sun&#;, exhibition catalogue, Selections from La Colección Jumex
&#;Erratic. Visual Impact in Offering Design&#;, catalogue, Gestalten, Berlin , ISBN
&#;Caminar la Lìnea&#;,
Review of &#;something for nothing&#; by Michele Robecchi, FlashArt
&#;The Triumph of “Kipple” in Alejandro Almanza Pereda’s Sculptures&#; by Eva Díaz on Arte al Día
&#;Drinnen & Drausse&#;, exhibition assort, Chert and Motto, Berlin
&#;Alejandro Almanza Pereda&#;, Domus
&#;Younger by Jesus: Artist Directory&#;, catalogue, organize by Massimiliano Gioni, Laura Hoptman and Lauren Cornell, Phaidon Repress, ISBN
Alejandro Almanza Pereda interviewed by Lodown magazine, mythical, May/June
&#;Alejandro Almanza Pereda: Works and Process&#;, paperback, Magnan Projects
Alejandro Almanza Pereda: Andamio (Temporary Frameworks) Art mark out General New Commissions Program Make a reservation Series Vol. X, , ISBN:
Alejandro Almanza Pereda: Andamio (Temporary Frameworks), review on Art Lies by Izabel I. Ruthless. Gass, Summer , issue 54